Purpose

To explore the aesthetic principles of the periocular area depicted in Ancient Greek sculptures and examine their relevance to contemporary oculoplastic surgical practice.

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Methods

A visual and comparative analysis was conducted using high-resolution images of classical Greek sculptures, including works such as Venus de Milo and Doryphoros. Key periocular features—including palpebral fissure height, canthal tilt, brow position, and symmetry—were evaluated. These characteristics were compared with established aesthetic parameters and surgical goals in modern oculoplastic procedures, including ptosis repair and blepharoplasty.

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Results

Ancient Greek sculptures consistently demonstrate harmonious periocular proportions, characterized by subtle brow arches, balanced eyelid positioning, and gentle canthal inclination. These features closely parallel contemporary aesthetic ideals in oculoplastic surgery. The concept of symmetry and proportion, central to Greek artistic philosophy, aligns with current surgical emphasis on restoring both functional and aesthetic balance. Notably, variations observed among sculptures reflect individualized features rather than uniform standards, echoing modern patient-centered approaches.

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Conclusion

The aesthetic ideals embodied in Ancient Greek sculpture continue to resonate within contemporary oculoplastic practice. Understanding these classical principles provides a valuable perspective on modern surgical goals, emphasizing the enduring relationship between art and medicine. Integrating historical aesthetic concepts may enhance surgical planning and contribute to more natural and harmonious outcomes.

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Additional Authors

First name	Last name	Base Hospital / Institution
Nikolaos	Koutroumanos	Royal Free Hospital, London, UK

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